Performances

A new performance with Baxter Halter, made across residencies through 2026 with support from the Fédération Wallonie-Bruxelles. It continues research into the politics of images: who sells them, who is sold by them, and what a body does when it becomes one. Premiere dates to be announced.

A series that asked what happens when men's bodies become a site of genuine inquiry. No music, no score, none of the usual permission structures. The Silent Dances made conditions for a different quality of presence, and ran across several cities before closing in 2022.

It started as a question about rejection and became something stranger. Forty-five minutes of songs, dances, remarks and bodily states organised around what Timothy Morton calls a hyperobject: something so vast and distributed that you can't perceive it whole. Here the hyperobject is rejection itself, the force that gathers wherever humans refuse things. The Scum depends on us to exist.